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 Oscar Brown Jr:singer, songwriter, playwright, poet and civil rights activist.
Old August 15th, 2005, 09:11 PM   #1 (permalink)
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Oscar Brown Jr:singer, songwriter, playwright, poet and civil rights activist.

Oscar Brown Jr.


October 10, 1926 - May 29, 2005




just incase some of you dont know!



Oscar Cicero Brown, Jr. made his earthly debut on October 10, 1926 at Chicago ’s Provident Hospital as the firstborn child of school teacher, Helen Lawrence and
Oscar C. Brown, Sr., a prominent lawyer and real estate owner. Oscar was raised in
a two-church house hold: his mother attended St. Edmond’s Episcopal Church, and
his father was a member, and attorney for Pilgrim Baptist Church for over fifty years.

Oscar Jr.’s verbal skills stood out early in his academic career as evidenced by the
fact that he often took first-place in “elocution” contests. He attended Willard Elementary
and Englewood High Schools, and by age 15, he had launched his professional career
in Studs Terkel's children's radio series, called " Secret City ." His father, however, encouraged him to pursue a college career and study law, with the hope that he would
take over the family business.

As a result of two “double promotions” in elementary school, he was only sixteen
years old when enrolled at the University of Wisconsin in the fall of 1943. After
attending several colleges and universities, including Lincoln University (Pa.)
and the University of Michigan, where he excelled in English composition, but failed everything else, it became clear that creative writing was his primary interest, rather than academic study or the business world.

In his twenties, he returned to work in radio, spending five years as the “world’s first
Negro newscaster,” for a Chicago program called “Negro Newsfront,” where he also managed to include a musical menu, as well as poetic works by Countee Cullen and Langston Hughes. In addition to his media work, he continued to dabble in real estate, advertising, and public relations; but he soon turned to activism—both inside and outside electoral politics. One of his first jobs along these lines was as program director for the progressive United Packinghouse Workers union. Activism was part of his father’s legacy—Oscar Sr. had served at the helm of the Chicago NAACP, but had also been
part of a nationalist effort to develop a 49 th state for African Americans.



In 1948, Oscar ran for the Illinois legislature on the Progressive Party ticket, and for the
U.S. Congress as a Republican in 1952—a party he conveniently selected in order to get
on the ballot. Oscar was actually a member of the Communist Party from the time he was
20, to his resignation in 1956 at the age of 30, when he concluded that he was “just too
black to be red.” From 1948 to 1950, Oscar played a key role in Richard Durham’s “Destination Freedom” Black Radio Days series. He then went on to serve two years
in the Army, after which he began to pursue his hobby of composing songs by singing a
little in local nightspots.

The turning point in his career came around 1960. The Brown family were neighbors
of the award-winning playwright, Lorraine Hansberry’s family. When “A Raisin in the
Sun” debuted in Chicago before it’s New York premier, Oscar met Hansberry ’s
husband, Robert Nemiroff, who worked for a New York based music publishing
company. Nemiroff in turn introduced Oscar’s music to New York , which led to a
recording contract with Columbia records and the classic recording, “Sin and Soul,”
the debut album that made Oscar Brown Jr. a national celebrity.

The Los Angeles Times described it as “a mosaic of poetic and musical images [with]
lyrics for such popular jazz instrumentals as Nat Adderley's "Work Song," Bobby Timmons' soul jazz tune "Dat Dere" and Mongo Santamaria's "Afro Blue"; as well as “the socially charged "Bid 'Em In," a vivid re-creation of an auctioneer's call of a female slave sale; and
the lullaby "Brown Baby," written for his newborn son, and recorded by such giants as
Mahalia Jackson, and Lena Horne.

Oscar went on to perform at such venues as the Village Vanguard, and tour with Miles Davis, Aretha Franklin, John Coltrane, Dizzy Gillespie, Nancy Wilson and Cannonball Adderley; composed the lyrics for the Davis classic, “All Blues,” and collaborated with Max Roach on the landmark civil rights composition, the “Freedom Now Suite.” His magnum opus came in 1961, with the production of “Kicks & Company,” directed by Hansberry,
and co-produced by Nemiroff. Backer s’ auditions and fundraising activity reached a new level when Oscar Brown. Jr. made an unprecedented two hour appearance on the NBC’s “Today Show,” at the invitation of host Dave Garroway and subsequently raised over $400,000. OBJ was on his way, but sudden found it necessary to stage a “comeback”
when the show “Kicks & Company” closed shortly after it previewed, in Chicago ’s McCormick Place in 1961. He didn’t ponder the circumstances but instead focused on appearances with jazz royalty earned him great critical acclaim from coast to coast.


His one man show, “Oscar Brown Jr. Entertains,” in London two years later, resulted in
his being hailed: “a musical genius,” “the high priest of hip,” and “all the great ones rolled into one.” Before leaving for England , Brown hosted a television series “Jazz Scene USA,” taped in Los Angeles, where he met singer/dancer Jean Pace
--ultimately to become his wife.
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Old August 15th, 2005, 09:24 PM   #2 (permalink)
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Oscar’s production of "Joy ‘66” brought the couple to Chicago , where within a year,
they developed three more musicals entitled “Summer in the City,” “Lyrics of Sunshine
and Shadow [with Phil Cohran],” and “Opportunity Please Knock.” “Opportunity Please Knock” was produced in 1967 in conjunction with a youth gang known as the
Blackstone Rangers, and gained national recognition when gang members appeared on
the Smothers Brothers CBS television show. Their work with the gang resulted in the
pair being invited in 1968 by newly elected Mayor Richard Hatcher of Gary , Indiana,
to conduct a summer project with young talent in that city. Among their “discoveries”
were The Jackson Five, and actor/singer Avery Brooks.

Brown and Pace moved to San Francisco the following year where Oscar turned the
comedy production “Big Time Buck White” into a musical, which ran successfully in the
Bay area, before coming briefly to Broadway where it featured Muhammad Ali in the title
role. Meanwhile, Brown and Pace had joined with Brazilian musicians Luiz Henrique and Sivuca in the production of “Joy 69,” which ran over a year in San Francisco, New York,
and Chicago . The next decade found Oscar Brown Jr. as an artist-in-residence directing
his works at Howard University in Washington , D.C. , Hunter College in New York and Malcolm X College in Chicago .



In the early 1970s, Brown premiered a musical drama in Washington, DC, that was underwritten by Howard University, entitled "Slave Song," written in iambic pentameter
and rhymed quatrains. By 1975, Brown had recorded 10 albums, and re-staged and
starred in the hit production “Evolution of the Blues” in San Francisco .

Later that year, Oscar was featured in a (CBS) WBBM-TV special, “Oscar Brown
is Back" in Town,” which won him two local Emmy Awards. Later Oscar hosted the
13-week PBS program “From Jump Street : The Story of Black Music,” and was a
regular actor on the television series, “ Brewster Place ,” starring Oprah Winfrey.
He appeared in several other acting roles, including episodes of “Roc” and the PBS
special “Zora Is My Name,” written by Ruby Dee. Oscar Brown Jr. has composed over
a thousand songs and more than a dozen full-length theater pieces. After an absence
of 20 years from the recording scene, Oscar’s first CD, “ Then and Now,” was released
in 1995 on the Weasel Disc label.

More recently, in 1996, “Sin and Soul . . . And Then Some,” his original Columbia
recording was re-released as a CD, with five new songs. A compilation of all Mr.
Brown’s Columbia releases was released recently in Europe , entitled: “Kicks: the Best
of Oscar Brown, Jr.” that includes his classic collaboration with Gwendolyn Brooks on
her poem, “Elegy for A Plain Black Boy.” Two of his seven children grew to become performers, with whom he regularly worked until his son, Oscar "Bobo" Brown III, an
accomplished bassist, vocalist, and composer, died in a tragic automobile accident on
August 12, 1996, at the age of 39.


In April 2001, he and his daughter Maggie made a live concert recording at the Hot
House in Chicago resulting in a full-length concert disc that was released in 2002 on
Mag Pie Records. A performer until the end, last October, Oscar opened "Jazz at
Lincoln Center" in New York , and in March of this year, he celebrated the premier
of Donnie Betts’ "Music is My Life, Politics My Mistress," a documentary film about his
life at the Pan African Film Festival and performed on the Tavis Smiley Show on PBS.



He also made several appearances on hip-hop impressario Russell Simmons’ Def
Poetry Jam on HBO and had recently revived his production of "Great Nitty Gritty,"
a show about gang violence that he had first staged 20 years earlier with young
residents of the Cabrini Green housing project. Oscar served as Regents Professor
at the University of California at Riverside , and rendered a “command performance”
for the California State Legislature, who honored him with a statewide
“Oscar Brown Jr. Day” tribute.

Likewise, Mr. Brown reigned as the 2002 “Senior of the Year” for his hometown,
Chicago. Oscar Brown, Jr. actor, director, playwright, songwriter, lyricist, activist, essayist, and television host, called “the High Priest of Hip and the Grandpap of Rap” was a man
of such eclectic talents that jazz critic Leonard Feather called him "the most hyphenated figure in show business." He departed this life on May 29, 2005 in Chicago . Peter
Keepnews stated in the New York Times obituary that: Mr. Brown was most often
described as a jazz singer, and he initially achieved fame by putting lyrics to well-known
jazz instrumentals like Miles Davis's "All Blues" and Mongo Santamaria's "Afro Blue,"
but efforts to categorize him usually failed.



As a performer, he acted his songs more than he sang them; as a songwriter, he drew
as much from gospel, the blues and folk music as he did from jazz. He preferred to call
himself an entertainer, although even that broad term did not go far enough: he saw his
art as a way to celebrate African-American life and attack racism, and it was not always
easy to tell where the entertainer ended and the activist began. His song "Brown Baby," recorded by Mahalia Jackson and others, was both a lullaby for his infant son and an
anthem of racial pride. Other songs, like "Signifying Monkey" and "The Snake," took
their story lines from black folklore. The album "We Insist! Freedom Now Suite," for
which Mr. Brown wrote lyrics to the drummer Max Roach's music, was one of the first
jazz works to address the civil rights movement. His commitment to art as a tool for
social change was most evident in the numerous stage shows he wrote and directed
in his hometown Chicago .

Oscar Brown, Jr. was preceded in death by his sister Helen Brown Hudson ;
and he is survived by his wife, Jean Pace Brown of Chicago; his son Napoleon
Brown; his daughters, Donna Brown Kane of Atlanta, Iantha Casen of Maryland,
Maggie Brown Blakey, and Africa Pace Brown of Chicago; along with
17 grandchildren and four great grandchildren.
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Old August 16th, 2005, 09:19 AM   #3 (permalink)
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I heard about this man via The Tavis Smiley Show on NPR. I hate I am just knowing about him.

http://www.oscarbrownjr.com/WebPagesUS/biography.htm
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Old August 16th, 2005, 11:36 AM   #4 (permalink)
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I always loved "Dat Dere."
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Old August 16th, 2005, 02:52 PM   #5 (permalink)
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his poetry is amazing. i didnt think pple would respond.
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Old August 16th, 2005, 03:45 PM   #6 (permalink)
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Quote:
Originally Posted by shephrenology
his poetry is amazing. i didnt think pple would respond.

Hey don't underestimate the Intellectual prowess of AC ! I think we know a little (or a lot) about a myriad of things
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Old August 16th, 2005, 03:48 PM   #7 (permalink)
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Quote:
Originally Posted by MissDD138
Hey don't underestimate the Intellectual prowess of AC ! I think we know a little (or a lot) about a myriad of things

yeah my bad...im saying though..they article is llllllong
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Old August 16th, 2005, 04:04 PM   #8 (permalink)
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Quote:
Originally Posted by shephrenology
yeah my bad...im saying though..they article is llllllong

Its ok. I see you like Saul Williams also. I fell in love with him after watching Slam (about 10 or 15 times)
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Old August 16th, 2005, 04:17 PM   #9 (permalink)
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Quote:
Originally Posted by MissDD138
Its ok. I see you like Saul Williams also. I fell in love with him after watching Slam (about 10 or 15 times)

yes i LOVE saul. i have both of his cds, their amazing. i havent watched slam in a looong time
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Old August 16th, 2005, 06:17 PM   #10 (permalink)
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Saul Williams is a poetic monster and a walking genius!

I saw Oscar Brown on Def Poetry this season he did a wicked wicked piece about aging and then they faded to black and white on him face, amazing.
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